”If there is anything interesting in composing -with or without computers- is the opportunity to deal with abstract concepts while manipulating concrete material. In particular, computer-based compositional systems provide extended control over sound properties and aspects of musical structure presenting the opportunity to merge those two into new musical forms.” Integrating analytical with compositional processes
Pandelis Diamantides creates electronic art music, combining elements of electroacoustic composition, sound design and pop music. He uses a complex network of algorithms and digital signal processors to manipulate, deconstruct and decompose sounds, creating an immersive sonic world described as “…rush hour traffic inside electric wires”. His debut album “Green” was released by Bigo & Twigetti label (London, UK) in September 2011 and re-released by Linn Records in hi-resolution for the audiophile. The succes of this album follows a series of interesting collaborations with the visual artist Emmanuel Flores Elias (Monotone Studio), animator Arturo Castro (Reactable Development Team) and choreographer Lia Haraki (Pelma). His music is presented in places like TodaysArt Festival, Bozar Museum, Venice Biennale and featured in broadcasts like Late Junction on BBC Radio 3.
A new full- length album is scheduled to be released this Spring (2015) under the title “False awakenings”. The audiovisual performance with the same title is set to be performed worldwide between 2015 – 17.